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Southbay LA Sound: Back-Bone

in The Word is Text/Videos by

by Mauricio Ruiz

Origin

The band’s first step towards becoming Back-Bone happened in December 2012 when Reuben Cortez, Christian Gomez, and David Naranjo left the band Hierba Mala. From that point, the group started collaborating with other musicians from neighboring bands in the area that lead to the induction of Richard Cortez.

Time has left Back-Bone to the members to create the Southbay sound of Dirty Reggae. Back-Bone is based in Carson Ca, of which, the city has witnessed little to none of the specific genre they call Dirty Reggae. This type of reggae is specific to Back-Bone and their creation process of music. Their reggae is not the typical roots reggae, while they try to avoid mainstream fads. The band doesn’t have a specific demographic that they try to appeal to because they want the masses to enjoy their music. Dirty Reggae is Back-Bone’s version of reality music that derives from their own personal experiences. Their performances create an atmosphere where they encounter very little racism and generates positive experiences. The Band is currently working on recording new music to release their album with a complementary music video.

 

Reuben Cortez, Lead singer of Back-Bone, Mexican-American, says he was very closed minded with the type of music he exposed himself too. Early influences came from classic rock and first wave ska music such as The Specials. Initially, he wanted to play the saxophone but wasn’t given the opportunity, in which, he started playing the trumpet. His trumpet playing lead him to join the local mariachi. Then he sharpened his skills on the guitar taking characteristics from mariachi music such as the rhythms, scratching, redobles, fillings and note selection. The guitar gave him a platform to write lyrics and sing. Christian pushed Reuben to sing because he didn’t aspire to be a singer.

Christian Gomez, Drummer for Back-Bone, Mexican-Honduran, grew up listening to music and watching movies that weren’t appropriate for a child, due to the age differences between siblings. This exposed Christian to a surplus of content at an early age. Learning the drums has expanded his horizon of musicality by being around other musicians with different tastes in music, as well as performance levels. This pushed Christian to try and incorporate every type of music into his creation process.

Richard Cortez, Lead guitar of Back-Bone, American with Mexican heritage, grew up listening to classic rock because of his father. The guitar allowed him to recreate solos he heard from the songs he grew up with. He took great influence to movies and music growing up as well. When asked about his background influence on his music, he said he gained influence from classic rock, not his heritage because he couldn’t incorporate what he wasn’t exposed too.

David Naranjo, Bass player of Back-Bone, Mexican-American, grew up listening to classic rock artist such as led zeppelin. His brothers introduced David to a wide spectrum of music consisting of jimmy page, punk bands, thrash music, Slayer and music from the late 80s. His brothers played the guitar, in which the 9-year age difference influenced him to pick up the bass at an early age. In middle school, he first listened to the song “Take on Me” by Reel Big Fish which lead him to start learning the trumpet and the trombone. He continued to indulge in the Ska/Reggae arena by going to watch Streetlight Manifesto perform live. His heritage had little impact in playing the bass as he would listen to rhythms of the upright bass in Mexican songs. There wasn’t a necessity for him to play the bass until the opportunity arose during the creation of Back-Bone.

 

@backbonemusic Instagram

https://m.soundcloud.com/backbonesb SoundCloud

 

The El Popo Newspaper was first published in 1970 by students concerned about the lack of a Chicana and Chicano perspective in newspapers. As a result, students called the newspaper, El Popo. The paper was named El Popo after the volcano El Popocatepetl. Involved in Chicana/o Movement of the 60’s and 70’s, students saw a connection between the smoke spewing volcano ready to erupt and the student movement ready to engage. Thus, throughout the El Popo’s forty-six years, the name continues to symbolize and to represent the spirit of each generation of students that contribute to the pages of the El Popo Newspaper. Faculty Advisor/Publisher Carlos R. Guerrero, Ph.D.